Vancouver Art | Asian Mobilities | Horizontal Art History | Music | Reviews | Volumes
2024
“Christopher K. Ho: CX 889,” in Offsite: The Anthology, Vancouver Art Gallery, pp. 162–167
“Confabulations, in search of teb chaw,” in Pao Houa Her: My grandfather turned into a tiger… and other illusions, Aperture, pp. 116–118
2023
“How to echolocate in a green screen,” in Gabi Dao: What breaks on the horizon?, Southern Alberta Art Gallery Maansiksikaitsitapiitsinikssin
“What Is Hong Kong Time?” (conversation with Christopher K. Ho, Melissa Karmen Lee, and Holman Wang), in ASAP/Journal, January, pp. 1–11
2022
“Vancouver Photohistory and the Politics of Disappearance,” in C Magazine, Winter, pp. 44–48
2021
“Land, Landlessness, Mobility,” in ArtAsiaPacific, March/April, pp. 26–27
“Tense: On Tanya Lukin Linklater’s We Wear One Another,” in ReIssue; reprinted in ReIssue Year 1 Anthology, UNIT/PITT, pp. 128–135
2020
preface to granted to a foreign citizen by Sun Yung Shin, Artspeak, pp. 1–4
review of Ken Lum: Everything is Relevant, in RACAR, Fall, pp. 169–170
2019
“‘The Black Magic of Their Own Imaginations’: Notes on Extinction,” in Tuan Andrew Nguyen: Empty Forest, commissioned by The Factory Contemporary Arts Centre, pp. 44–61
“Places That Are Not a Place: Samson Young in conversation with Godfre Leung,” in Samson Young: It’s a heaven over there, Centre A, pp. 1–12
“The beauty of their city, the kindly weather of the skies,” in Alexa Horochowski: Beautiful Sky, commissioned by the Rochester Art Center
“Airplanes Over the Pacific: Christopher K. Ho in Conversation,” in Yishu: Journal of Contemporary Chinese Art, May/June, pp. 83–94
2018
“Today, To Think To and Fro, To Live Together: On In the Meantime by Christian Nyampeta,” Postscript #73, commissioned by Artspeak
“Revising Dada,” in Canadian Art
2017
review of New Pictures: The Propeller Group, Reincarnations at the Minneapolis Institute of Art, in Afterimage, July/August, pp. 19–20
“SARS, Skincare, Real Estate, Rhythm: Lee Kit’s Politics of Space,” in Yishu: Journal of Contemporary Chinese Art, March/April, pp. 6–19
2016
review of Cao Fei at MoMA/PS1, in Afterimage, November/December, pp. 32–33
“Geography, Photography, Art History: Toward a Transnational Ellsworth Kelly,” in Panorama: The Journal of the Association of Historians of American Art, Fall
2015
“International Pop: A Visual Chronology,” in International Pop, pp. 11–74, commissioned by the Walker Art Center
“Before Globalization: Pop as Transnational/Transitional,” in ARTMargins
“Leaving Düsseldorf,” in Art Journal, Winter, pp. 64–69