Vancouver Art | Asian Mobilities | Horizontal Art History | Music | Reviews | Volumes
2024
“Confabulations, in search of teb chaw,” in Pao Houa Her: My grandfather turned into a tiger… and other illusions, Aperture, pp. 116–118
2023
“How to echolocate in a green screen,” in Gabi Dao: What breaks on the horizon?, Southern Alberta Art Gallery Maansiksikaitsitapiitsinikssin
“What Is Hong Kong Time?” (conversation with Christopher K. Ho, Melissa Karmen Lee, and Holman Wang), in ASAP/Journal, January, pp. 1–11
2022
“Vancouver Photohistory and the Politics of Disappearance,” in C Magazine, Winter, pp. 44–48
introduction to Anthropology of a Phytomorphist, in Heliotrope
2021
“Land, Landlessness, Mobility,” in ArtAsiaPacific, March/April, pp. 26–27
2020
preface to granted to a foreign citizen by Sun Yung Shin, Artspeak, pp. 1–4
scene report on Vancouver, in ArtAsiaPacific, Sept/October, p. 14
review of Ken Lum: Everything is Relevant, in RACAR, Fall, pp. 169–170
“A Matter of Perspective: On Jinny Yu, why does its lock fit my key? at Galerie Art Mûr,” in Exhibition Reviews Annual
2019
“‘The Black Magic of Their Own Imaginations’: Notes on Extinction,” in Tuan Andrew Nguyen: Empty Forest, commissioned by The Factory Contemporary Arts Centre, pp. 44–61
“Places That Are Not a Place: Samson Young in conversation with Godfre Leung,” in Samson Young: It’s a heaven over there, Centre A, pp. 1–12
“Airplanes Over the Pacific: Christopher K. Ho in Conversation,” in Yishu: Journal of Contemporary Chinese Art, May/June, pp. 83–94
2018
“Factory and Chinese Mall, Catastrophe and Dreamworld,” in Yishu: Journal of Contemporary Chinese Art, May/June, pp. 84–88
2017
review of New Pictures: The Propeller Group, Reincarnations at the Minneapolis Institute of Art, in Afterimage, July/August, pp. 19–20
“SARS, Skincare, Real Estate, Rhythm: Lee Kit’s Politics of Space,” in Yishu: Journal of Contemporary Chinese Art, March/April, pp. 6–19
2016
review of Cao Fei at MoMA/PS1, in Afterimage, November/December, pp. 32–33
review of Lee Kit: Hold your breath, dance slowly at the Walker Art Center, in Art in America, November, pp. 155–156
2010
“Introduction: The Sociality of the Spectacle,” in InVisible Culture, Winter, pp. 1–11