Vancouver Art | Asian Mobilities | Horizontal Art History | Music | Reviews | Volumes
2022
“To hear all the cars not honking,” in BlackFlash
2019
“Seven, Eleven, Twenty-Six: Some Conversions,” in AA4, commissioned by Clear as Day, pp. 3–35
“Linebreak,” in The Third Rail, pp. 56–58
“Places That Are Not a Place: Samson Young in conversation with Godfre Leung,” in Samson Young: It’s a heaven over there, Centre A, pp. 1–12
2017
“Interview with Barbara Held” (co-authored with Alexandra Alisauskas), in The Third Rail, pp. 28–35
“Barbara Held and Yasunao Tone, 1985–1990: Can the Flautist Speak?”, in ASAP/J
2016
“Figure and Ground, Image and Sound: Brian Eno’s Thursday Afternoon and the Digital Medium,” in The Soundtrack, December, pp. 91–105
review of Christian Marclay: Surround Sounds at Paula Cooper Gallery, in C Magazine, Spring, pp. 60–61
“Mariah Carey: Lyric in the Era of Semiocapitalism,” in The Third Rail, pp. 18–20
2014
“Three ‘Paintings’ by Tone Yasunao,” in post: Notes on Modern & Contemporary Art Around the Globe, commissioned by the Museum of Modern Art, New York
2012
“‘Everyone and I Stopped Breathing’: William Basinski at the Met,” in Toronto Review of Books
“In Reverse Order: How to Dress Well, a Theory of the Baroque, and a Memory of Rochester,” in Mała Kultura Współczesna
2011
“Morrissey, Billy Bragg on the Riots in England,” in Mała Kultura Współczesna
“Working Through Margarete: Two Fantasies of the German Anthem,” in Resounding Pasts: Essays on Literature, Popular Music, and Cultural Memory, Cambridge Scholars Publishing, pp. 283–310