Sonja Ahlers: Classification Crisis, 2019–2024
- Classification Crisis exhibition at Richmond Art Gallery
- exhibition brochure
- review by Caitlin Jones in The Capilano Review
- review by Yani Kong in Galleries West
- review by Yasmine Whaley-Kalaora in Momus
- review by Ayesha Habib in Montecristo
- review by Dorothy Woodend in The Tyee
- interview with Sonja Ahlers on CBC: North By Northwest
- Exhibition catalogue co-published by Conundrum Press and Richmond Art Gallery
- Essays by Alexandra Alisauskas and Jennifer Douglas, Tavi Gevinson, Kathleen Hanna, Doretta Lau, and Lisa Prentice + my curatorial survey essay
- Rabbit Hole, new bookwork by Sonja Ahlers
- designed by Vicky Lum, printed by Die Keure
- Book launch, featuring roundtable with Sonja Ahlers and Doretta Lau, performance by Necking, and artist-led zine-making workshop
- D.I.Y. Across Generations, panel discussion with Sonja Ahlers, Whess Harman, Lisa Prentice, and Casey Wei
- Alexandra Alisauskas and Godfre Leung, “The archive is evidence that I exist: A conversation with Sonja Ahlers” in ReIssue
Hong Kong Is a Loaded Term, 2021–2023
- Christopher K. Ho: CX 889, exhibition at Vancouver Art Gallery (VAG Offsite / Institute of Asian Art)
- exhibition essay
- opening day panel with Christopher K. Ho and Holman Wang, moderated by Melissa Karmen Lee
- artist interview on CBC Early Edition
- article on CBC News
- article in Sing Tao Daily
- segment on Omni News
- article by Casey Wei in CMA Journal
- review by Steff Huì Cí Ling in ArtAsiaPacific (中文)
- review by Amila Li in ReIssue
- review by Shazia Hafiz Ramji in Galleries West
- What Is Hong Kong Time?, conversation with Christopher K. Ho, Melissa Karmen Lee, and Holman Wang in ASAP/Journal
- Hong Kong Is a Loaded Term: Rewriting Vancouver Art History, 1989–1997, presentation at the Nickle Galleries of University of Calgary
- Hong Kong Is a Loaded Term: Megacities, Temporary Cities, Future Cities, panel at The Power Plant, Toronto with Dawn Chan, Aihwa Ong, and Howie Tsui, co-organized with Christopher K. Ho
unstately, 2020–2021
- Guesthood and Alienhood: Sun Yung Shin, Jinny Yu, Republic of the Other at Hotam Press Gallery
- exhibition booklet
- article in the Vancouver Sun
- Canadian Art editors’ pick
- granted to a foreign citizen by Sun Yung Shin, published by Artspeak
- reading series
- review by Steff Huì Cí Ling in The Capilano Review
- review by Mya Ballin in Archivaria
- installation at Second Shift Studio Space for Solidarity Street Gallery, organized by Shen Xin, AK Garski, and Erika Terwilliger
- research appendix: “Transracial adoption in the US and Canada in the second half of the twentieth century”
- Pao Houa Her: Emplotment at Or Gallery
- After the Fall of Hmong Tebchaw, co-presented with Capture Photography Festival
- exhibition panel with Pao Houa Her, Gabi Dao, and Asia Jong, moderated by Laurie White
- profile by Joni Low in Vie des Arts
- Canadian Art editors’ pick
- Georgia Straight critics’ pick
AA4, 2019
- AA4: album/book/score collaboration with Peter Happel Christian and Phillip Andrew Lewis, featuring sheet music by Tim Hinck, portfolio of photographs by Happel Christian and Lewis, drawing by Lenka Clayton, essay by Godfre Leung, and recordings of executions of the score by Clayton, Chris Duncan, Michael Masaru Flora, Barbara Held, Jonathan Kaiser, Tiffany Ng, Greg Pond & Cesar Léal, and Steve Roden
- project launch at Spectrum with introduction to the project by Peter Happel Christian and Phillip Andrew Lewis, a reading by Godfre Leung, performances by Michael Masaru Flora and Jonathan Kaiser with Zosha Warpeha, and a small exhibition of typewriter models owned by Ansel Adams
- carillon recital by Tiffany Ng at House of Hope Presbyterian Church, co-presented by The Third Rail
- excerpt of my essay in The Third Rail, accompanied by Tiffany Ng’s recordings
Samson Young: It’s a heaven over there, 2019
- exhibition
- exhibition catalogue
- article in The Source
Barbara Held and Benton C Bainbridge: Pausa, 2017
- exhibition at Kiehle Gallery
- Pausa opening performance
- Breathing and Its Transformations program of pieces written for Held by Ron Kuivila, Alvin Lucier, and Yasunao Tone, performed with custom/prepared instruments at Performing Arts Center, St. Cloud State University (program traveled to Wesleyan University, UC Santa Barbara, and Subtropics Festival)
- duo A/V concert at Studio Z
- Alexandra Alisauskas and Godfre Leung, interview with Barbara Held in The Third Rail
- “Barbara Held and Yasunao Tone, 1985–1990: Can the Flautist Speak?” in ASAP/J (includes Pausa documentation)
International Pop, 2015–2016
- exhibition at Walker Art Center, Dallas Museum of Art, and Philadelphia Museum of Art
- exhibition catalogue
- panel and book launch at Swiss Institute
- “Before Globalization: Pop as Transnational/Transitional,” in ARTMargins
- Brooklyn Rail review
- Afterimage review
- Canadian Art review
- Big Think review
- New York Times review (Randy Kennedy)
- New York Times review (Holland Cotter)