Vancouver Art | Asian Mobilities | Horizontal Art History | Music | Reviews | Volumes


2023

From And then this also to We Wear One Another: A Lockdown Memoir,” in Timelines, Contemporary Art Gallery

How to echolocate in a green screen,” in Gabi Dao: What breaks on the horizon?, Southern Alberta Art Gallery Maansiksikaitsitapiitsinikssin

“Classification Crisis, or: To hit an audience cleanly,” in Sonja Ahlers: Classification Crisis, Conundrum Press and Richmond Art Gallery, pp. 21–40

What Is Hong Kong Time?” (conversation with Christopher K. Ho, Melissa Karmen Lee, and Holman Wang), in ASAP/Journal, January, pp. 1–11

2022

Vancouver Photohistory and the Politics of Disappearance,” in C Magazine, Winter, pp. 44–48

2021

The archive is evidence I exist: A Conversation with Sonja Ahlers” (co-authored with Alexandra Alisauskas), in ReIssue

Land, Landlessness, Mobility,” in ArtAsiaPacific, March/April, pp. 26–27

2020

scene report on Vancouver, in ArtAsiaPacific, Sept/October, p. 14

review of Ken Lum: Everything is Relevant, in RACAR, Fall, pp. 169–170

2018

Photos Worth a Thousand Houses,” in Maisonneuve, Summer, pp. 58–61

Factory and Chinese Mall, Catastrophe and Dreamworld,” in Yishu: Journal of Contemporary Chinese Art, May/June, pp. 84–88

Revising Dada,” in Canadian Art

2014

Jeremy Shaw: Attention, Oblivion, Jubilation,” in C Magazine, Spring, pp. 16–22