Vancouver Art | Asian Mobilities | Horizontal Art History | Music | Reviews | Volumes
2023
“Broken Time and the Intergenerational: Marigold Santos at SAAG,” in ReIssue
2021
review of Michael Kleber-Diggs, Worldly Things, in The Capilano Review, Fall, pp. 105–109
review of Brendan Fernandes: Inaction at Richmond Art Gallery, in C Magazine, Summer, pp. 77–78
“Land, Landlessness, Mobility,” in ArtAsiaPacific, March/April, pp. 26–27 [review of Third Realm at The Polygon Gallery, and Soundings: An Exhibition in Five Parts at the Morris and Helen Belkin Art Gallery]
“Tense: On Tanya Lukin Linklater’s We Wear One Another,” in ReIssue; reprinted in ReIssue Year 1 Anthology, UNIT/PITT, pp. 128–135
2020
review of Ken Lum: Everything is Relevant, in RACAR, Fall, pp. 169–170
“A Matter of Perspective: On Jinny Yu, why does its lock fit my key? at Galerie Art Mûr,” in Exhibition Reviews Annual
2018
“Photos Worth a Thousand Houses,” in Maisonneuve, Summer, pp. 58–61 [review of N. Vancouver at The Polygon Gallery]
“Factory and Chinese Mall, Catastrophe and Dreamworld,” in Yishu: Journal of Contemporary Chinese Art, May/June, pp. 84–88 [review of Hong Kong Exile, Foxconn Frequency no. 3: For Three Visibly Chinese Performers at PuSh Festival, and Hong Kong Exile and fu-GEN Theatre, No Foreigners at Vancity Culture Lab]
“Revising Dada,” in Canadian Art [review of The Natalie Brettschneider Archive at Vancouver Art Gallery]
2017
review of New Pictures: The Propeller Group, Reincarnations at the Minneapolis Institute of Art, in Afterimage, July/August, pp. 19–20
2016
review of Cao Fei at MoMA/PS1, in Afterimage, November/December, pp. 32–33
review of Lee Kit: Hold your breath, dance slowly at the Walker Art Center, in Art in America, November, pp. 155–156
“Geography, Photography, Art History: Toward a Transnational Ellsworth Kelly,” in Panorama: The Journal of the Association of Historians of American Art, Fall [review of Yve-Alain Bois, ed., Ellsworth Kelly: Catalogue Raisonné of Paintings, Reliefs, and Sculpture, Vol. 1]
review of Christian Marclay: Surround Sounds at Paula Cooper Gallery, in C Magazine, Spring, pp. 60–61
2015
“Leaving Düsseldorf,” in Art Journal, Winter, pp. 64–69 [review of Isa Genzken: Retrospective at the Museum of Modern Art, Alibis: Sigmar Polke, 1963-2010 at MoMA, and Leben mit Pop: A Reproduction of Capitalist Realism at Artists Space]
review of Billy Name, The Silver Age: Black and White Photographs from Andy Warhol’s Factory and Catherine Zuromskis, The Factory: Photography and the Warhol Community, in Afterimage, May/June, pp. 39–41
2013
“Windows, Wallpaper, and Screens,” in Widok. Teorie i praktyki kultury wizualnej / The View: Theories and Practices of Visual Culture [review of Matisse: In Search of True Painting at the Metropolitan Museum of Art, and Wade Guyton OS at the Whitney Museum of American Art]
2012
“‘Everyone and I Stopped Breathing’: William Basinski at the Met,” in Toronto Review of Books
review of Rosalind E. Krauss, Under Blue Cup, in Afterimage, July/August, pp. 38–39
2011
review of Christine Mehring, Blinky Palermo: Abstraction of an Era and Suzanne P. Hudson, Used Paint: Robert Ryman, in InVisible Culture, Spring, pp. 108–114
2010
review of Yves Klein: With the Void, Full Powers at the Hirshhorn Museum and Sculpture Garden, in Afterimage, September/October, pp. 34–35
2009
review of Imi Knoebel, 24 Farben für Blinky at Dia:Beacon, in caa.reviews
2007
“After the Neo-Avant-Garde? New-Genre Conceptual Art and the Institution of Critique,” in Art Journal, Winter, pp. 109–111 [review of Alexander Alberro and Sabeth Buchmann, ed., Art After Conceptual Art and John Welchman, ed., Institutional Critique and After]